In Resident Evil 4 Remake Ashley evidently undergoes a noticeable transformation, from a damsel in distress to a dependable partner.
The original Resident Evil 4 hasn’t held up well since its release in 2005, yet continues to be one of the most cherished and impactful games ever created. The way it treats Ashley Graham, a supporting figure Leon has to save from a mystery Spanish village, is extremely heinous and may be the most debatable in hindsight. Ashley isn’t much of a bother in the original. Her in-game AI is frequently viewed as being poor, and nearly all of her phrases are delivered in a whiny tone. She was undoubtedly the most infamous element of the original, almost coming off as a joke.
In Resident Evil 4 Remake Ashley exceeds expectations
In both the remake and the original from 2005, Ashley fulfills the same function. She is the president of the United States’ daughter and has been taken hostage by the dreadful Los Iluminados cult. She is the driving narrative force and initially, she is still largely defenseless.
But, you can see from the moment you meet her that the whiny kid is no longer there and has been replaced by a strong young woman. She yells “No, get away!” in the original when Leon approaches before retreating into a corner. She’s a parody of a damsel in distress, which makes her difficult to identify with and support.
However, in the remake, she purposefully strikes a candleholder at Leon to defend herself. Later, in a more convincing manner, she falls out of a window and into Leon’s arms. She may be hesitant, but despite this, it is clear from her facial expressions that she wants to trust Leon. In the original, Ashley squeals as she is neatly placed into Leon’s arms, giving off the impression that she is a puppet due to her lifeless eyes.
Throughout the entire game, Ashley’s increased personality is present and truly shines. She talks more and screams less, and her genuine facial motions make her easier to read. She doesn’t need to scream loudly as she did in 2005 to convey her fear.
A more capable Ashley
Ashley’s mechanical design was one of the original RE4’s worst flaws. You didn’t seem to be able to turn away from her for more than a few seconds before the villagers came and took her.
Although you still need to keep an eye out for her in the remake, she is much stronger and will even manage to escape any would-be captors, in contrast to the original when she would frequently just stand still.
This time, you may instruct Ashley to keep near or hang back, which makes many interactions feel more dynamic. Similar commands were given in the original, but Ashley would frequently take too long to answer and would end herself being seized.
Can you play as Ashley?
Yes, in the Resident Evil 4 Remake Ashley is still playable at around the same point in the narrative. This time around, though, the stealth components have been scaled back, and her entire portion now functions more like a giant puzzle.
There is a part of the original Resident Evil 4 where you play Ashley Graham rather than Leon, the main character. Due to Ashley’s lack of combat expertise, this part of the game has a distinct focus. To go through the stages, you must instead use stealth and puzzle-solving techniques. However, in Resident Evil 4 Remake Ashley part can be abit frustrating due to this difficulty, if you need a bit help, you may want to take a look at our article: Resident Evil 4 Ashley puzzle solution.
You will spend this part of the game evading adversaries rather than engaging them head-on. Several players think that this part of the game adds variety, is a nice change of pace from the main action, and emphasizes the survival horror theme even more. Others find it tedious and eagerly anticipate its conclusion. Fortunately, Ashley’s role in the Resident Evil 4 remake should appeal to those on all sides of the debate.
Most players are quite satisfied with the remake of the game, including Ashley’s renewed role. If you want to check out the game and decide for yourself, take a look at its Steam page and try it out for a while.
